Red & White Block Print Katan Silk Suit | Kinara
Two colours only, so every impression stands exposed.
Wide printed bands finish the dupatta ends and the tunic hem.
Crisp white paisley and geometry, printed on a bold red silk ground.
Why this piece
- Only two colours, so every block impression is exposed
- Wide printed bands at the dupatta ends and the tunic hem
- Colour-fast, so the white does not pick up the red
The print
Two colours and nothing else. Floral, paisley and geometric blocks repeat in white across a bold red ground, gathering into prominent rectangular bands that frame the ends of the dupatta and the hem of the tunic while the body stays sparse. A monochrome pairing is unforgiving, which is why the crispness of each impression matters here more than on a busier set.
Styling
This is the one to keep for festivals and day weddings, where red does the work and the white keeps it from looking heavy. A plain red bottom, a straight kurta and the printed hem left uncut is the cleanest way to stitch it. Gold jewellery, and nothing on the wrists if the dupatta is draped wide.
The details
Top: 2.5 m, 44 to 45 inches wide
Bottom: 2.5 m, 44 to 45 inches wide
Dupatta: 2.5 m, 35 to 36 inches wide
Weight: 600 to 650 g for all three pieces together
Stitching: tailor it to your exact fit, up to 4XL, with the length customised for larger sizes
Lining: not needed, the fabric is opaque; add one only to elevate the look
Care: dry clean the first wash, then a gentle cold hand wash
Dispatch: next working day, even though every metre is block printed by hand
Collection: Kinara
Look closely at where the paisleys meet and you will see the small joins that mark hand block work.
| Fabric / Material | Katan Silk |
| Craft / Technique | Hand Block Print |
| Colour | Red |
| Origin / Cluster | Bhagalpur |
Exchange: *Easy exchange is available within 3 days of receiving the product.
*No exchanges on home decor items.
*Unboxing video is required.
Return: *Only for damaged/wrong products.
*Unboxing video required.
Learn More
Why only red and white?
Two colours and nothing else is the design. Floral, paisley and geometric blocks repeat in white across a bold red ground, and a monochrome pairing like that is unforgiving: every impression is exposed. That is why the crispness of each stamp matters more here than it would on a busier, multi-colour set.
Where is most of the print?
It gathers into prominent rectangular bands that frame the ends of the dupatta and the hem of the tunic, while the body stays sparse. The bands carry the design, so the rest of the outfit can stay simple.
How should I get it stitched?
A straight kurta with the printed hem left uncut is the cleanest way, with a plain red bottom underneath. Avoid flared panels that would slice through the hem band, since that band is what finishes the kurta.
What jewellery goes with it?
Gold, kept simple. If you drape the dupatta wide, leave the wrists bare so the printed dupatta ends and the white motif sleeve are the focus, rather than a stack of bangles competing with them.
How are the bands printed?
Each white block goes down onto a fully dyed red ground, and any hesitation shows. The Bhagalpur printer works the length in sequence, dipping the carved block, pressing, lifting and moving one width along, paisley by paisley, until the bands are complete. Small joins where the paisleys meet mark the hand work.
Will the white pick up the red?
No. The fabric is colour-fast and does not bleed on the first wash, which is what protects a two-colour set like this one. Dry clean it the first time, then a gentle cold hand wash.
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